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Trinity Arts Writers Workshop
Workshop is part of our name. We are committed to share the talent and knowledge of our members.
Mini-Workshops will be conducted on a variety of topics related to the writing craft and the process of getting work published.
If you would like more information or you are interested in presenting a program contact the Mini-Workshop Committee Chairperson
Mini-Workshop Plan/Schedule - 2019
Mini-Workshop Plan/Schedule - 2019
Twenty-five percent of our organization's name is Workshop.
Some of our members volunteer their time and energy to develop educational programs for the benefit of all members on various aspects of the writing craft. Thanks to those members willing to share their talent and knowledge, we plan to put on a Mini-Workshop every month in 2019. The presenters facilitate the workshops, present material and lead exercises to hone writing skills.
The workshops are usually offered early on the first Saturday of each month at no cost to attendees and do not interfere with the normal reading and critique activities. Based on feedback, the programs deliver value and the attendees appreciate the efforts of the volunteers.
contact Workshops Committee to add your workshop topic
The workshop delved into the aspects of time that should be considered in every writing project.
Participants discussed techniques to improve their writing skills by effectively addressing the various elements of time.
- Time Shifting
- Tense
- Urgency
- Passage of Time
- A Point in time
- Handling time gaps
- Flashbacks
- Transitional time words
Exercises
Exercises
- Examination/analysis of examples in participants' own work.
- Vocabulary and trigger words
- Identified time wasting activities.
Take-away(s):
Take-away(s):
- participant learned techniques to improve their writing skills
- Earned dividends of many hours of (found) time over the time invested in this workshop.
A time shift can be annoying and confusing.
Get your story’s “present” going at a good pace before you slip into its past.
Transitions can be short. A two-word scene transition? ...That night ...
... the challenge main characters need to solve
Participants in the workshop examined the aspects of an essential element of fiction, conflict.
Discussed techniques to improve writing skills by effectively addressing the various elements of conflict
- Types of Conflict
- The Purpose of Conflict in Fiction
- Showing Conflict
- Exercises
Exercises
Exercises
- Examination/analysis of examples in participants' own work.
- interactive group activities.
Take-away(s):
Take-away(s):
- participant learned techniques to improve their writing skills
A Grab-bag of Grammar 'gotchas'
A Grab-bag of Grammar 'gotchas'
1903 - March 2nd
Alton Bostick passed on a few 'quick and dirty' tricks to help writers conjugate a few contrary verbs and negotiate the grammar minefield cratered with direct objects, intransitives and past participles.
Exercises
Exercises
- Lie & Lay
- Sit & Set
Bob Dylan's song:
Bob Dylan's song:
Lay Lady Lay
Lay Lady Lay
- correct? [ ]
- incorrect? [ ]
Let's get vocal: How does your character sound?
Let's get vocal: How does your character sound?
Stephanie Zitrick moderates
- Presentation
- Exercises
- Takehome
You can judge a book by its cover!
You can judge a book by its cover!
In this MiniWorkshop we'll examine some of the essential elements of book cover design, specifically zeroing in on the back cover. Graphics will not be covered. We'll examine traditional examples and discuss contemporary trends.
Concepts reinforced with exercises.
- Analysis of participants' own work.
- Interactive group activities.
Take-away(s):
- participant will learn and discuss essential elements of a book's back cover design
Do you need to buy a federal copyright? We will answer that question and explode the myth that you cannot quote song lyrics in your book. And more.
Copyright Issues
Manuscript Submission: The End is Near
Manuscript Submission: The End is Near
When: July 6th, 9:10..9:50am
Where: Arts Council / Boys Ranch
Description: A guide to landing an agent or publisher for traditional publishing.
- Working with an agent or publisher – Is it for you?
- Self-Editing
- Submission Process
- Dos and Don'ts
Call Me Ishmael:
Call Me Ishmael:
How to Introduce Characters That Are Hard to Forget
How to Introduce Characters That Are Hard to Forget
When: August 10th, 9:10..9:50am
Where: Arts Council / Boys Ranch
Description: One of the biggest bugaboos in manuscript submissions is when the author doesn't properly introduce the protagonist within the first chapter. Will West shows how with examples on how to introduce a character give it shape, depth and a personality on the page.
When: September 7th, 9:10..9:50am
Where: Arts Council / Boys Ranch
Description: Cate Murray will discuss the process of communicating non-verbally through conscious or unconscious gestures and movements.
When: October 5th, 9:10..9:50am
Where: Arts Council / Boys Ranch
Description: Paul Kocher presented.
When: November 2nd, 9:10..9:50am
Where: Arts Council / Boys Ranch
Presented by Neal Ostman
The workshop will cover strategies for effective proofreading, different methods and techniques, tools and helpful websites. Examples of editing ‘tightening’ will be provided with comments on that type of error. Sharing of ideas and experiences will be encouraged.
Workshop Archives
Workshop Archives
Copyright Issues
Copyright Issues
1802 - February 3rd
KAV Method
KAV Method
1803 - March 3rd
Sharon Johnson conducted a Mini-Workshop to share:
- Tips from LoneStar Ink, the writing conference she attended earlier this year. Speakers included, but were not limited to, Dave Farland and J. Scott Savage. She'll cover matters such as how to hold the readers attention, the "KAV" method, and how to work tension into a story line.
- Tips that will be helpful for writing a pitch on #PitMad.
Magazine Clipping
Magazine Clipping
1804 - April 7th
Harry 'The Hat' Robbins led a fast paced program where each participant used magazine pictures, scissors, glue and poster board to generate: A story title, main characters, and first lines of an opening scene.
Bam! Bam! Bam! In about 40 minutes all finished their exercise including explaining their finished work.
What results?
Titles like: Leak, Let, She's Back and She's Pregnant. Characters like: Bridgit, Brock, Rage, Flo, Sando and Inga. Opening scene first lines like: It's 1:00 am, Inga met Sando only six hours ago but she's already convinced her SRA mission will succeed.
YouTube Trailer
YouTube Trailer
1805 - May 5th
Susan Hodges presented a program on creating a YouTube Trailer. In one minute you create a buzz that excites the visual, auditory, and emotional of potential readers. It's a great hook and can result in sales
Story Structure
Story Structure
1806 - June 2nd
Sara-Meg Seese presented the June program on story structure. She covered elements of Aristotle's classic Beginning, Middle, End / Acts I, II, III then related them to a detailed Master Story Planning Worksheet.
Scene Development
Scene Development
1807 - July 7th
July 7th - Dennis Coburn moderated a free format session (Plot Luck style) on Scene Development. Participants discussed the role of SCENE as a unit of story structure, analyzed specific examples of their own work and exchanged ideas.
Scenes are units, building blocks of a story structure much like concrete blocks are units of a wall
Scenes are units, building blocks of a story structure much like concrete blocks are units of a wall
Online Editing Service
Online Editing Service
1808 - August 4th
Sara Meg Seese talked about collaborative developmental editing, copy editing and formatting work she does through an online service, fiverr. She explained the gig pricing structure and shared the pros and cons of using the system, including the advantage of having them take care of billing, tax forms, etc.
Character Development
Character Development
1809 - September 1st
Sept. 1st - Dennis Coburn moderated an exercise on Character Development. Participants chose a character from their own work to analyze and discuss with others. In a group setting, peers peppered the writer with questions to discover opportunities for character development including reactions, growth and emotions. They explored characteristics to stir emotional connection and increase reader investment.
Takeaway: Learn something about your character you didn't already know.
Takeaway: Learn something about your character you didn't already know.
"the process of creating a believable character in fiction by giving the character depth and personality."
BASICS OF DIALOGUE
BASICS OF DIALOGUE
from a dramatist's POV
from a dramatist's POV
1810 - October 6th
Text - what is actually said in dialogue
Subtext - The emotions, memories, inferences, references, allusions, and/or innuendos that underly and support the text
October 6th - Sara-Meg Seese, presented BASICS OF DIALOGUE from a dramatist's POV. Using Dialogue analysis on a selection of her work HORSE WITH NO NAME, participants examined and discussed elements:
- Lead lines: open a new subject. Often, but not necessarily, a question.
- Response lines: continue the same subject
Stated lines: Provide facts (or presumed facts) that are not intended to be lead lines and do not carry significant subtext. LESS than 5% of all dialog is usually stated lines.
POV Development
POV Development
1810 - November 10th
Field trip - A people watching - who-dunnit / offsite exercise on POV at Denny's
On Saturday November 10th, Dennis Coburn moderated an exercise on Point of View.
Participants joined a small group and chose a character in the restaurant. They agreed on a scenario with a few basic facts. Then each group member wrote a story segment from an assigned point of view.
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